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As poet, musician, artist, transvestite
performer in Leigh Bowery's Offset collective, and co-founder
of Hangman Records and Books with Billy Childish, Sexton Ming
has built up a fanatical following as one of the godfathers of
outsider culture. This book comprises of highlights from the last
twenty-five years of his poems, songs, stories and the odd few
anecdotes.
The title comes from a criticism levelled at him
by the cartoonist Ralph Steadman, and as Sexton opinionates; "It's
the nicest thing a human being can say to another". The one
constant in this compendium is Sexton's in-built compulsion to
steer clear of artistic pretension and head straight for the gut
reaction, whether it be laughter, pathos, shock, or more often
than not a mixture of all three.
"The Lost Winegum Mine" is as pure an
encapsulation of lost childhood as you can possibly get. Enticing
the reader with empathy and humour, it culminates in a two line
pay off that hits home with the ferocity of a Tyson knockout blow.
The true account of "My Mother's Last Words", where
Sexton displays a light comedic touch within the most sombre of
occasions, sits surprisingly easily with the chronologically juxtapositioned
"The Parish Of Tarma", a bewildering tale of Saxons,
Chelsea Buns and voodoo. The character Randos The Bull, originally
created as a device to induce false endings, comes into his own
in several stories, most notably "Andy Warthog and his Factory",
in which the fridge delivering, flatulent, muscular bull encounters
Andy Warhol and the Velvet Underground. The old Velvets' classic
"I'm Waiting For The Man" will never sound the same
after reading this story.
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His experiences drumming with the independent cult
band Television Personalities inspired the missive "What
To Expect When Playing Rock 'n' Roll". This poem should be
handed out free to any teenager who harbours their first dream
of playing in a rock band, and as a result, will potentially increase
the number of accountants in the City at a stroke.
Anyone who has attended a Sexton Ming poetry reading
knows that the poems share equal importance with his uniquely
earthy vocals, so a companion CD is enclosed with the book to
ensure readers do not miss out on the full appeal of his recitals.
An essential and entertaining read, where the only
bull offered in the book is the aforementioned Randos. Sexton
Ming may be a failed intellectual, but where literature aims to
power right to the core of all human emotion, he is an undoubted
success.
Lee McFadden 24/02/04
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